Seeking mercy from the seats of infirmity feathers sold to -God-: the mafia.

John 13:18-30
Jesus Predicts His Betrayal
18 “I am not referring to all of you-;- I know those I have chosen. But this is to fulfill this passage of -script-ure: ‘He who shared my bread has turned[a] against me.’[b]

19 “I am telling you now before it happens, so that when it does happen you will believe that I am who I am. 20 Very truly I tell you, whoever accepts anyone I send accepts me-;- and whoever accepts me accepts the one who sent me.”

21 After he had said this, Jesus was troubled in spirit and testified, “Very truly I tell you, one of you is going to betray me.”

22 His disciples stared at one another, at a loss to know which of them he meant. 23 One of them, the disciple whom Jesus loved, was reclining next to him. 24 Simon Peter motioned to this disciple and said, “Ask him which one he means.”

25 Leaning back against Jesus, he asked him, “Lord, who is it?”

26 Jesus answered, “It is the one to whom I will give this piece of bread when I have dipped it in the dish.” Then, dipping the piece of bread, he gave it to Judas, the son of Simon Iscariot. 27 As soon as Judas took the bread, Satan entered into him.

So Jesus told him, “What you are about to do, do quickly.” 28 But no one at the meal understood why Jesus said this to him. 29 Since Judas had charge of the money, some thought Jesus was telling him to buy what was needed for the festival,´-or-to give something to the poor. 30 As soon as Judas had taken the bread, he went out. And it was night. »
Shaken by the dread of the divine election of a satanic figure, the words spoken by the character: Jesus is lost on the confused paths of the amputation of meaning which translates a haggard spirit captured by the poison of fatality to force the soul to leave the body before burial so that it can veil itself with the shroud of voluntary betrayal because what betrays can hardly be the supreme soul by nature but the emptiness of the soul which excites the animal instinct to betray in order to survive and then to dominate in order to rule, hence in an ethical approach betrayal as well as arbitrary domination are instincts that break with the humanity of which they are integrated by these people as qualities allowing them an immaculate ascension of blood debiting the corpses that served as stairs for these unidentifiable people.
Thus the cold noise of the walls of tombs hardly testifies to the existence of ghosts! but of the existence of the sound of emptiness and its coldness like a corpse whose soul has left its body since the beginning and which has grown accustomed to being a corpse which only manifests itself in foggy times in order to witness the twilight of human substance and the deafening noise of the infinite needs of the material stolen in the darkness emitting a fetid odor of perversion which stinks of bodies emptied of soul by pernicious doctrines which serve to inspire films which exhale the mephitic odor of mafia writing the criminal scenario in which it will be necessary to silence the Soul´-or-bury it in order to give roles to actors gifted in the crime since they are chosen by the mafia so that they speak them by pronouncing the same word lost on the confused paths of the amputation of meaning.
Encased in the shrouds of their characters, these actors, poor of all soul, express on the stage of the world a popular greenness infested by the fatal mists of lies and subjugated by the infinite popular needs for the material of the roles stolen in the darkness of the closed rooms of the paid prostitution perfectly elected by the mafia whose only talent is the crime of the falsity of everything and the only truth of the crime that is how they draw on these mythological stories such as the Bible´-or-the Koran in order to normalize with the lies that arise of their domain: crime, thus leaving to the infinite quest for a role chosen by the mafia: their sponsors of a prophet of a God´-or-of Satan in a synonymous sense proven by the truth of the crime in order to adorn their pockets by money bills because God "the mafia" predicted his betrayal by his employees: actors who ask for even more money which brings him closer to his criminal prophets making funeste prophecies but Satan him as he was described by the author of the crime of the doctrines is well created by God: the mafia in order to commit his crimes and dissociate himself from him in a macabre game in which he creates evil and then he throws on him all these crimes thus seeking the famous medal of the grand prize of hypocrisy and impunity.
This marks the roughness of the narration which retains the same novelistic style chosen from "the beginning" in order to be adapted to films which weave the sickening web of corpses dragged by famous actresses predisposed to be affected by the popular anomaly of greed debating the repugnant scenario on beds in the plural in order to praise the life-saving quality of cerebral prostitution and give thanks to her skills as prostitutes who respect themselves because they are respected by their customers: the producers, the actors, the -script-writers. ..
Giving death profusely in the sense of those doctrines which inspire crimes because they illustrate the weakness of the feathers sold to God the mafia in an attempt to steal the light of the soul thus finding themselves at an impasse of the non-existence of the possibility of stealing the soul and its light hence the opulence of material goods: the harvest of prostitution can hardly throw the corpse into the light but throw it into the darkness of the tombs charged with the mists of their talents were the lie in the "beginning" in order to be crowned with the thorns of melancholy and then suicidal prostitution.

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